NEW DIRECTORS / NEW FILMS
> LA MINACCIA
> WOMAN SEE LOT OF THINGS
> ANYWHERE USA
> ACT OF VIOLENCE
> HOW TO BE
> LEAVING BARSTOW
> FIX
> LOREN CASS
> YEARS WHEN I WAS A CHILD OUTSIDE
> RIVER
PREMIÈRE
> HANNAH TAKES THE STAIRS
> ÇA BRÛLE
Indie 2008 identity is contemporary and interested on what is to come. Lets give a chance to the future of cinema. It may start here and now. Follow the coordinates. Enter the New Directors/New Films and discover an unforgettable scene, a new actor, an interesting idea. Think of how many times a day you remember a film scene. Would the cinema have the power to change a life? Could you believe that a film might save your day?
Look forward, to the sky, to the floor; look at the world around you. It is alive. The past will always be part of your essence; move forward. There are 10 new films that have never been shown here before. There is politics, always thorny and hard, but necessary: listen to what the people of Venezuela think about their president (La Minaccia); or the women of Sierra Leone, who had to take up arms (Woman See a Lot of Things). There is the freshness of new names in cinema: North-Americans showing their America (Anywhere USA, Loren Cass), or an Englishman who was born with a camera in his hand (How To Be), a German making a mystery film (Act of Violence), or true indie cinema (Leaving Barstow). There is also the indie challenge: can you switch off and watch the family story of a Philippine director (Years When I Was A Child Outside)?
The program is completed with 2 films presented in the Première session: Joe Swanberg’s mumblecore style (Hannah Takes the Stairs), that will soon after be shown in commercial cinemas throughout the country and Claire Simon French film (Ça Brûle). (D.A)
Look forward, to the sky, to the floor; look at the world around you. It is alive. The past will always be part of your essence; move forward. There are 10 new films that have never been shown here before. There is politics, always thorny and hard, but necessary: listen to what the people of Venezuela think about their president (La Minaccia); or the women of Sierra Leone, who had to take up arms (Woman See a Lot of Things). There is the freshness of new names in cinema: North-Americans showing their America (Anywhere USA, Loren Cass), or an Englishman who was born with a camera in his hand (How To Be), a German making a mystery film (Act of Violence), or true indie cinema (Leaving Barstow). There is also the indie challenge: can you switch off and watch the family story of a Philippine director (Years When I Was A Child Outside)?
The program is completed with 2 films presented in the Première session: Joe Swanberg’s mumblecore style (Hannah Takes the Stairs), that will soon after be shown in commercial cinemas throughout the country and Claire Simon French film (Ça Brûle). (D.A)